Title: Images and empires: visuality in colonial and postcolonial Africa
Author: Landau, Paul Stuart 1962-
Published: University of California Press,  2002
Subjects: Anthropology | African Studies | Art  History | Cultural Anthropology | History
Publisher's Description: Figurative images have long played a critical, if largely unexamined, role in Africa - mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth. Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself.   [brief]
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Title: Dynasty and empire in the age of Augustus: the case of the of the Boscoreale Cups 
Author: Kuttner, Ann L
Published: University of California Press,  1995
Subjects: Art | Art  History | Classical History | Ancient History
Publisher's Description: The two silver skyphoi commonly known as the Boscoreale Cups of Augustus and Tiberius are indispensable for providing the documentation of one of the only two cycles of Roman imperial state reliefs to survive from the Julio-Claudian period. Ann Kuttner offers the first comprehensive examination of these historical treasures.Kuttner studies the Cups not only from the standpoint of art history but also as they relate to Augustan ideology and politics. When she began work on this book, the whereabouts of the Cups was unknown, and she had to rely on the illustrations in Monuments et Memoires (Fondation Eugen Pinot, 1901). The rediscovery of the Cups at the Louvre in late 1990 has allowed Kuttner to examine them directly.   [brief]
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Title: Painters and politics in the People's Republic of China, 1949-1979 
Author: Andrews, Julia Frances
Published: University of California Press,  1995
Subjects: Art | Art  History | Asian Studies | China
Publisher's Description: Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.   [brief]
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Title: Myth, meaning, and memory on Roman sarcophagi 
Author: Koortbojian, Michael
Published: University of California Press,  1995
Subjects: Classics | Art | Art  History | Art and Architecture
Publisher's Description: Michael Koortbojian brings a novel approach to his study of the role of Greek mythology in Roman funerary art. He looks at two myths - Aphrodite and Adonis and Selene and Endymion - not only with respect to their appearance on Roman sarcophagi, but also with regard to the myths' significance in the greater fabric of Roman life. Moving beyond the examination of these sarcophagi as artistic achievements, he sets them in their broader historical and social contexts.Remembrance was an important factor in ancient social life and fueled the need for memorials. In helping us to understand the powerful allusions that Greek myths presented for the Romans, and the role of those allusions in preserving the memory of the dead, Koortbojian effectively widens our vision of the ancient world.   [brief]
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Title: Real fantasies: Edward Steichen's advertising photography
Author: Johnston, Patricia A 1954-
Published: University of California Press,  1997
Subjects: Art | Art  History | History | Cultural Anthropology
Publisher's Description: During the 1920s and 1930s, Edward Steichen was the most successful photographer in the advertising industry. Although much has been said about Steichen's fine-art photography, his commercial work - which appeared regularly in Vanity Fair, Vogue, Ladies Home Journal , and almost every other popular magazine published in the United States - has not received the attention it deserves. At a time when photography was just beginning to replace drawings as the favored medium for advertising, Steichen helped transform the producers of such products as Welch's grape juice and Jergens lotion from small family businesses to national household names. In this book, Patricia Johnston uses Steichen's work as a case study of the history of advertising and the American economy between the wars. She traces the development of Steichen's work from an early naturalistic style through increasingly calculated attempts to construct consumer fantasies. By the 1930s, alluring images of romance and class, developed in collaboration with agency staff and packaged in overtly manipulative and persuasive photographs, became Steichen's stock-in-trade. He was most frequently chosen by agencies for products targeted toward women: his images depicted vivacious singles, earnest new mothers, and other stereotypically female life stages that reveal a great deal about the industry's perceptions of and pitches to this particular audience.Johnston presents an intriguing inside view of advertising agencies, drawing on an array of internal documents to reconstruct the team process that involved clients, art directors, account executives, copywriters, and photographers. Her book is a telling chronicle of the role of mass media imagery in reflecting, shaping, and challenging social values in American culture.   [brief]
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Title: Early Gothic Saint-Denis: restorations and survivals 
Author: Blum, Pamela Z
Published: University of California Press,  1992
Subjects: Art | Architectural History | Art  History | Medieval Studies | Archaeology
Publisher's Description: quality. Indeed, the well-preserved sculptural passages provide a key to the Early Gothic style as well as revealing the distinct imprints of three artists and their influences on each other. Blum's penetrating analyses of the restorative techniques and materials are accompanied by telling photograph-diagrams that distinguish the original work from that done later.Pamela Blum's investigation has relevance not only for students and scholars of medieval art but for curators and collectors as well. Anyone concerned with survivals from the past will appreciate her scrupulous detection in studying one of France's greatest monuments.   [brief]
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Title: Garrett Eckbo: modern landscapes for living 
Author: Treib, Marc
Published: University of California Press,  1997
Subjects: Architecture | Art  History | California and the West
Publisher's Description: One of the central figures in modern landscape architecture, Garrett Eckbo (1910-2000) was a major influence in the field during an active career spanning five decades. While most of the early American designers concentrated on the private garden and the corporate landscape, Eckbo's work demonstrated innovative design ideas in a social setting. This engagement with social improvement has stayed with Eckbo throughout his life, distinguishing both his intentions and achievements, from his early work for the Farm Security Administration to his partnerships (including one of the most prominent landscape firms in the world, Eckbo, Dean, Austin, and Williams - EDAW) and his years as chair of the Department of Landscape Architecture at the University of California, Berkeley.In an elegant and detailed book that includes more than 100 of Eckbo's designs, Marc Treib examines the aesthetic formation of Eckbo's manner, and by implication the broader field of landscape architecture since the 1930s. Dorothée Imbert writes about Eckbo's social vision, including his belief that ultimately, landscape design is the "arrangement of environments for people ." The book also contains a biographical and professional chronology and a complete bibliography of publications by and about Garrett Eckbo.   [brief]
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Title: Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E
Author: Ridgway, Brunilde Sismondo 1929-
Published: University of California Press,  1999
Subjects: Classics | Art | Art and Architecture | Art  History
Publisher's Description: The meaning of architectural sculpture is essential to our understanding of ancient Greek culture. The embellishment of buildings was common for the ancient Greeks, and often provocative. Some ornamental sculpture was placed where, when the building was finished, no mortal eye could view it. And unlike much architectural ornamentation of other cultures, Greek sculpture was often integral to the building, not just as decoration, and could not be removed without affecting the integrity of the building structure. This book is the first comprehensive treatment of the significance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on ancient Greek sculpture, provides a highly informative tour of many dimensions of Greek public buildings - especially temples, tombs, and treasuries - in a text that is at once lucid, accessible, and authoritative.Ridgway's pragmatism and common sense steer us tactfully and clearly through thickets of uncertainty and scholarly disagreement. She refers to a huge number of monuments, and documents her discussions with copious and up-to-date bibliographies. This book is sure to be acknowledged at once as the standard treatment of its important topic.   [brief]
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Title: Made in God's image?: Eve and Adam in the Genesis mosaics at San Marco, Venice 
Author: Jolly, Penny Howell
Published: University of California Press,  1997
Subjects: Art | Art  History | Medieval Studies | Women's Studies | Religion
Publisher's Description: The stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work.   [brief]
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Title: Suspended music: chime-bells in the culture of Bronze Age China
Author: Falkenhausen, Lothar von
Published: University of California Press,  1994
Subjects: History | Music | Asian History | China | Art  History
Publisher's Description: The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, particularly during the Shang and Zhou dynasties (ca. 1700-221 B.C.). Lothar von Falkenhausen's rich and detailed study reconstructs how the music of these bells - the only Bronze Age instruments that can still be played - may have sounded and how it was conceptualized in theoretical terms. His analysis and discussion of the ritual, political, and technical aspects of this music provide a unique window into ancient Chinese culture.This is the first interdisciplinary perspective on recent archaeological finds that have transformed our understanding of ancient Chinese music. Of great significance to the understanding of Chinese culture in its crucial formative stage, it provides a fresh point of departure for exploring later Asian musical history and offers great possibilities for comparisons with music worldwide.   [brief]
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Title: Antonia Canova and the politics of patronage in revolutionary and Napoleonic Europe
Author: Johns, Christopher M. S
Published: University of California Press,  1998
Subjects: Art | Art  History | European Studies | European History
Publisher's Description: The Venetian sculptor Antonio Canova (1757-1822) was Europe's most celebrated artist from the end of the ancien régime to the early years of the Restoration, an era when the traditional relationship between patrons and artists changed drastically. Christopher M. S. Johns's refreshingly original study explores a neglected facet of Canova's career: the effects of patrons, patronage, and politics on his choice of subjects and manner of working. While other artists produced art in the service of the state, Canova resisted the blandishments of the political powers that commissioned his works.Johns uses letters, diaries, and biographies to establish a political personality for Canova as an individual and an artist of international reputation. Though he had patrons as diverse as the pope, Napoleon, the Austrian Hapsburgs, the Prince Regent of Great Britain, and the Republic of Venice, Canova remained steadily employed and did so without controversy. A conservative and a Catholic, he devised a strategy that enabled him to work for patrons who were avowed enemies while remaining true to the cultural and artistic heritage of his Italian homeland. Using myth and funerary images and avoiding portraiture, he disguised the meanings behind his works and thus avoided their being identified with any political purpose.Johns greatly enhances our understanding of Canova's place in European art and political history, and in showing the influence of censorship, display, visual narrative, and propaganda, he highlights issues as contentious today as they were in Canova's time.   [brief]
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Title: The Arnolfini betrothal: medieval marriage and the enigma of Van Eyck's double portrait 
Author: Hall, Edwin 1928-
Published: University of California Press,  1997
Subjects: Art | Art  History | Art Criticism | Medieval History
Publisher's Description: Commonly known as the "Arnolfini Wedding" or "Giovanni Arnolfini and His Bride," Jan van Eyck's double portrait, painted in 1434, is probably the most widely recognized panel painting of the fifteenth century. One of the great masterpieces of early Flemish art, this enigmatic picture has also aroused intense speculation as to its precise meaning. Edwin Hall's accessible study - firmly grounded in Roman and canon law, theology, literature, and the social history of the period - offers a compelling new interpretation of this wonderful painting.Instead of depicting the sacrament of marriage, Hall argues, the painting commemorates the alliance between two wealthy and important Italian mercantile families, a ceremonious betrothal that reflects the social conventions of the time. Hall not only unlocks the mystery that has surrounded this work of art, he also makes a unique contribution to the fascinating history of betrothal and marriage custom, ritual, and ceremony, tracing their evolution from the late Roman Empire through the fifteenth century and providing persuasive visual evidence for their development. His illuminating view of Van Eyck's quintessential work is a striking example of how art continues to endure and engage us over the centuries.   [brief]
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Title: Unpacking culture: art and commodity in colonial and postcolonial worlds
Author: Phillips, Ruth B. (Ruth Bliss) 1945-
Published: University of California Press,  1999
Subjects: Anthropology | Social Science | Art  History | Postcolonial Studies
Publisher's Description: Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.   [brief]
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Title: The royal image: illustrations of the Grandes chroniques de France, 1274-1422 
Author: Hedeman, Anne Dawson
Published: University of California Press,  1991
Subjects: Art | Art  History | Medieval Studies | French Studies
Publisher's Description: The Grandes Chroniques de France is a vernacular, frequently illustrated history of the medieval French monarchs. Originally describing the lives of the kings from their origins in Troy in 1274 to the reign of Philip Augustus, it was updated in several stages to the life of Charles VI. Copied and amended for a variety of royal and courtly patrons, approximately 130 of these manuscripts exist today. Anne Hedeman provides the first critical and comprehensive study of the chronicle's illustrations.Hedeman concentrates on the illustrations in twenty manuscripts, analyzing their artistic and cultural significance and offering new methods for studying illustrated manuscripts. She discusses the chronicle in relation to the political ideology of Louis IX, vernacular history, and the Latin chronicle tradition at Saint-Denis. Looking at the manuscripts of various periods, the author compares their representations of historical events, kingship, and individuals in and around the royal court. She also contrasts the styles of several authors and illustrators of the chronicle. The Royal Image includes a catalogue of over seventy-five illustrated manuscripts, and an appendix listing the artists. An additional appendix lists surviving manuscripts.   [brief]
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Title: The French Revolution as blasphemy: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792
Author: Pressly, William L 1944-
Published: University of California Press,  1999
Subjects: Art | Art  History | European History | French Studies
Publisher's Description: William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792 , and Celebrating over the Bodies of the Swiss Soldiers , both painted in about 1794, represent events that helped turn the English against the Revolution.Pressly places both paintings in their historical context - a time of heightened anti-French hysteria - and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format.Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.   [brief]
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Title: Images and ideologies: self-definition in the Hellenistic world 
Author: Bulloch, A. W
Published: University of California Press,  1994
Subjects: Classics | Philosophy | Classical Philosophy | Ancient History | Art  History
Publisher's Description: This volume captures the individuality, the national and personal identity, the cultural exchange, and the self-consciousness that have long been sensed as peculiarly potent in the Hellenistic world. The fields of history, literature, art, philosophy, and religion are each presented using the format of two essays followed by a response.Conveying the direction and focus of Hellenistic learning, eighteen leading scholars discuss issues of liberty versus domination, appropriation versus accommodation, the increasing diversity of citizen roles and the dress and gesture appropriate to them, and the accompanying religious and philosophical ferment. The result is an arresting view of the incredible and unprecedented diversity of the Hellenistic world.   [brief]
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Title: Constructive dissonance: Arnold Schoenberg and the transformations of twentieth-century culture 
Author: Brand, Juliane
Published: University of California Press,  1997
Subjects: Music | Musicology | Composers | Intellectual History | Art  History
Publisher's Description: Arnold Schoenberg (1874-1951) is a pivotal figure of musical modernism. The "father of serialism" has influenced nearly every major composer of this century, and the idea of Schoenberg, now wild-eyed radical, now embattled moralist, now lonely prophet, is woven into the mythos of modern art. What is more, the sites of his professional activity - fin de siècle Vienna, the Berlin of the Weimar Republic, and his "exile to paradise" in Los Angeles - bring home the representative quality of his life and works, which bear witness to some of the defining experiences of our time.This collection by leading Schoenberg scholars is an interdisciplinary examination of the historical, aesthetic, and intellectual issues that formed Schoenberg's creative persona and continue to influence our response to the modernist legacy of the first half of this century. The book's first section, "Contexts," investigates Schoenberg's sense of ethnic, religious, and cultural identity. The second section, "Creations," focuses on specific works and the interplay between creative impulse and aesthetic articulation. The final section, "Connections," addresses the relationship of Schoenberg's legacy to present-day thought and practice.   [brief]
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Title: Taste and power: furnishing Modern France
Author: Auslander, Leora
Published: University of California Press,  1996
Subjects: History | European History | Art  History | European Studies
Publisher's Description: Louis XIV, regency, rococo, neoclassical, empire, art nouveau, and historicist pastiche: furniture styles march across French history as regimes rise and fall. In this extraordinary social history, Leora Auslander explores the changing meaning of furniture from the mid-seventeenth to the early twentieth century, revealing how the aesthetics of everyday life were as integral to political events as to economic and social transformations. Enriched by Auslander's experience as a cabinetmaker, this work demonstrates how furniture served to represent and even generate its makers' and consumers' identities.   [brief]
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Title: Subtle bodies: representing angels in Byzantium
Author: Peers, Glenn
Published: University of California Press,  2001
Subjects: Art | Medieval Studies | Art  History | Christianity | Art and Architecture
Publisher's Description: Throughout the course of Byzantine history, Christian doctrine taught that angels have a powerful place in cosmology. It also taught that angels were immaterial, bodiless, invisible beings. But if that were the case, how could they be visualized and depicted in icons and other works of art? This book describes the strategies used by Byzantine artists to represent the incorporeal forms of angels and the rationalizations in defense of their representations mustered by theologians in the face of iconoclastic opposition. Glenn Peers demonstrates that these problems of representation provide a unique window on Late Antique thought in general.   [brief]
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Title: Singular women: writing the artist 
Author: Frederickson, Kristen 1965-
Published: University of California Press,  2003
Subjects: Art | Art  History | Art Criticism | Art Theory | Women's Studies
Publisher's Description: In this groundbreaking volume, contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.   [brief]
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